“Love’s Labour’s Lost 2000” is a romantic comedy about four men who swear off love to focus on their studies, only to be quickly undone by four beautiful women. The film is a delightful mash-up of Shakespearean verse, ’30s-style musical numbers, and modern pop hits. With charming performances and witty dialogue, it’s a sweet treat for fans of romantic comedies and Shakespeare alike.
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Review
Love’s Labour’s Lost is a 2000 Shakespearean romantic comedy film directed by Kenneth Branagh. The movie brings the story to life with an all-star cast of actors. Branagh’s adaptation of the play takes on a unique format in which he blends music, dialogue, and dance together.
The plot centers around King Ferdinand (played by Alessandro Nivola), who decides to swear off women and pursue his studies instead. His three best friends, Berowne (Branagh), Longaville (Matthew Lillard), and Dumaine, quickly follow suit.
However, when the Princess of France (Alicia Silverstone) and her attendants arrive, the men struggle to keep their vow as they begin to fall in love with them. Tensions arise as they try to maintain their oath, ultimately leading to hilarious misunderstandings and over-the-top romantic gestures.
The film is not only entertaining but also provides historical context for Shakespeare’s time period. The title itself is a nod to a play by Shakespeare that was written around 1597. The movie proves that even after hundreds of years, audiences can still find enjoyment in Shakespeare’s works.
The acting in Love’s Labour’s Lost is outstanding. Branagh leads the cast with his superb performance as Berowne. His comedic timing is impeccable and his delivery of the Shakespearean dialogue is flawless.
Silverstone shines as the Princess of France. Her portrayal of the strong-willed and intelligent character adds depth to the story. Other notable performances include Carmen Ejogo as Rosaline and Emily Mortimer as Katherine.
The score for Love’s Labour’s Lost was composed by Patrick Doyle who has worked on many other Branagh films including Henry V and Much Ado About Nothing. Doyle’s use of modern-day songs interwoven with classical pieces creates a unique blend that adds an extra layer of fun to the film.
Filming took place in Valencia, Spain, giving the movie a beautiful backdrop. The vibrant colors of the costumes and sets add to the overall aesthetic value of the film. One memorable scene in the movie is a dance sequence featuring all of the cast members. The choreography and energy are infectious, making it impossible not to dance along.
Overall, Love’s Labour’s Lost is an underrated gem that deserves more recognition. The way Branagh seamlessly melds music, dance, and Shakespearean dialogue is a testament to his talent as a director. The humor and wit in the script make it accessible to modern audiences while still retaining its original charm.
Although the film did not receive any major awards or nominations, it remains a fan favorite amongst Shakespeare enthusiasts. It may not have been a commercial success but its impact on those who have seen it cannot be denied.
The cinematography in Love’s Labour’s Lost is visually stunning. The use of tracking shots and close-ups creates an intimate atmosphere that draws viewers into the story. The lighting design also adds to the mood of each scene, creating different tones for comedic moments versus serious ones.
One criticism of Love’s Labour’s Lost is that some may find it difficult to follow along with the complicated dialogue. However, if viewers stick with it, they will be rewarded with intelligent humor and thoughtful commentary on love and relationships.
The special effects used in Love’s Labour’s Lost are minimal but effective. One memorable example is when Berowne climbs over a wall to profess his love for Rosaline. In reality, he was being lifted up by a crane but it was done so smoothly that viewers almost believe he was actually climbing.
The development of each character throughout Love’s Labour’s Lost is well done. Each one has their own unique journey that adds depth to their personalities. Berowne goes from being skeptical about love to falling head over heels for Rosaline while Dumaine learns how to stand up for himself and fight for what he wants.
The dialogue in Love’s Labour’s Lost is witty and entertaining. Shakespeare’s genius for wordplay is on full display throughout the film. One memorable quote from Berowne is “From women’s eyes this doctrine I derive: they sparkle still the right Promethean fire; they are the books, the arts, the academies that show, contain and nourish all the world.”
The crews involved in bringing Love’s Labour’s Lost to life were undoubtedly talented. Branagh was not only the director but also served as a producer alongside David Barron and Harvey Weinstein. The editing by Neil Farrell was seamless and added to the overall flow of the film.
In conclusion, Love’s Labour’s Lost is a delightful film that provides viewers with a fresh take on Shakespeare’s classic play. With its all-star cast, engaging plot, and beautiful cinematography, it is a must-see for any fan of romantic comedies or Shakespearean works.
Technical Data
- Runtime : 93
- Release : 2000-03-31
- Genre : Comedy, Music, Romance
- Cast : Kenneth Branagh as Berowne, Alessandro Nivola as The King (Ferdinand), Adrian Lester as Dumaine, Matthew Lillard as Longaville, Alicia Silverstone as The Princess
- Crew : Bob Weinstein as Executive Producer, Harvey Weinstein as Executive Producer, William Shakespeare as Theatre Play, Patrick Doyle as Music, Kenneth Branagh as Screenplay
- Popularity 8.213
- Budget : $13,000,000
- Revenue : $299,792
- Company : Shakespeare Film Company, Pathé Pictures International, Intermedia Films
- Summary : The King of Navarre and his three companions swear a very public oath to study together and to renounce women for three years. Their honour is immediately put to the test by the arrival of the Princess of France and her three lovely companions. It’s love at first sight for all concerned followed by the men’s hopeless efforts to disguise their feelings.
- Tagline : A new spin on the old song and dance.
